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8 January 1836 – 25 June 1912. Most renowned painters.

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Childe Hassam
Une averse, rue Bonaparte

ID: 92342

Childe Hassam Une averse, rue Bonaparte
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Childe Hassam Une averse, rue Bonaparte


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Childe Hassam

1859-1935 Childe Hassam Locations Frederick Childe Hassam (b. October 17, 1859, Dorchester, Boston, Massachusetts ?C d. August 27, 1935, East Hampton, New York) was a prominent and prolific American Impressionist painter, noted for his urban and coastal scenes. Along with Mary Cassatt and John Henry Twachtman, Hassam was instrumental in promulgating Impressionism to American collectors, dealers, and the museums. He produced over 3,000 paintings, watercolors, etchings, and lithographs in his career, and was a founding member of The Ten, an influential group of American artists of the early 20th century. His most famous works are the ??Flag?? paintings, completed during World War I. Hassam (pronounced HASS'm;) (known to all as Childe, pronounced like child) was born in his family home in a suburb of Boston in 1859. His father Frederick was a cutlery merchant and descended from a long line of New Englanders, while his mother Rosa was a native of Maine. He demonstrated an interest in art early in his life. He had his first lessons in drawing and watercolor while attending the Mather public school, but his parents took little notice of his nascent talent. A disastrous fire in November 1872 wiped out much of Boston??s commercial district including his father??s business. To help out the family, Hassam dropped out of high school and his father lined up a job for him in the accounting department of publisher Little Brown & Company. His poor aptitude for figures, however, convinced his father to allow him to pursue an art career, and Hassam found employment with George Johnson, a wood engraver. He quickly proved an adept draftsman (??draughtsman?? in the Boston directory) and he produced designs for commercial engravings, such as images for letterheads and newspapers. Around 1879, Hassam began creating his earliest oil paintings but his preferred medium was watercolors, mostly outdoor studies.   Related Paintings of Childe Hassam :. | Coast Scene Isles of Shoals | Regentag in Boston | The Little Pond Appledore | St. Marks in the Bowery | Ding-on |
Related Artists:
SOLARI, Andrea
Italian painter (b. ca. 1475, Milano, d. 1515, Pavia).
Carlo Maratta
(13 May 1625 - 15 December 1713) was an Italian painter, active mostly in Rome, and known principally for his classicizing paintings executed in a Late Baroque Classical manner. Although he is part of the classical tradition stemming from Raphael, he was not exempt from the influence of Baroque painting and particularly in his use of colour. His contemporary and friend, Giovanni Bellori, wrote an early biography on Maratta.
Thomas Patch
1725 - 1782 was an English painter, engraver and caricaturist. He made a living by basing himself in Italy and undertaking commissions from rich young British men on Grand tours.His paintings today are in the Royal Collection and various museums. Patch was thrown out of Rome for a homosexual act. Patch was born in Exeter in 1725, the son of a doctor. He had not completed his medical studies when he came to Rome in 1747 as a grand tourist and where he met Joshua Reynolds. Initially he worked for Joseph Vernet, creating landscapes of Tivoli and pastiches of Vernet's work. He was forced to leave Rome after some homosexual He was in Florence in 1755, where he was commissioned to paint people on their Grand tours. Here he was assisted by his friendship with Sir Horace Mann, who was the British envoy and therefore a point of contact with British tourists arriving in Florence. While there he completed studies of human physiognomy, looking at the expressions and facial types as well as completing portraits of many in the British society in Florence. He also studied the old masters and published studies of them. Towards the end of his life his output of paintings slowed.Patch was also known to be an art dealer. In about 1763, Patch completed three views of Florence that are now part of the Royal Collection. They are thought to have been bought by George III. On October 19, 1767, he was enterprising enough to witness the eruptions of Mount Vesuvius which he painted from both the land and the sea.






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